商品の詳細
20/21 - Boulez: Repons, Dialogue De L'Ombre Double / Boulez, Ensemble InterContemporain

20/21 - Boulez: Repons, Dialogue De L'Ombre Double / Boulez, Ensemble InterContemporain
From Deutsche Grammophon

価格: ￥ 2,076 1500円以上は送料無料 詳細

発送可能時期: 在庫あり。
販売、発送は Amazon.co.jp

6 新品/中古商品価格 ￥ 1,180

曲目リスト

  1. Repons: Introduction
  2. Repons: Section 1
  3. Repons: Section 2
  4. Repons: Section 3
  5. Repons: Section 4
  6. Repons: Section 5
  7. Repons: Section 6
  8. Repons: Section 7
  9. Repons: Section 8
  10. Repons: Coda
  11. Dialogue de l'ombre double: Sigle initial
  12. Dialogue de l'ombre double: Strophe 1
  13. Dialogue de l'ombre double: Transition I a II
  14. Dialogue de l'ombre double: Strophe II
  15. Dialogue de l'ombre double: Transition II a III
  16. Dialogue de l'ombre double: Strophe 3
  17. Dialogue de l'ombre double: Transition III a IV
  18. Dialogue de l'ombre double: Strophe IV
  19. Dialogue de l'ombre double: Transition IV a V
  20. Dialogue de l'ombre double: Strophe V
  21. Dialogue de l'ombre double: Transition V a VI
  22. Dialogue de l'ombre double: Strophe VI
  23. Dialogue de l'ombre double: Sigle final

商品の詳細

  • Amazon.co.jp ランキング: #25846 / ミュージック
  • 発売日: 1999-04-13
  • ディスク枚数: 1
  • 形式: Import, from US
  • 寸法: .20 ポンド
  • 実行時間: 61 分

エディターレビュー

Amazon.com essential recording
Written in the mid-1980s, Répons represents Pierre Boulez's first major work after his controversial tenure conducting the New York Philharmonic. It's also a demonstration of how live instruments could be used in conjunction with computer-generated sound. He's been strangely hesitant to record it, which is even more mystifying the more one listens to this new DG release. It's one of the longest uninterrupted spans of music Boulez has ever composed. And while not as provocative as some of his early works, it's a marvel, a forest of sound that one wants to return to again and again.

The live instruments (which include a Hungarian cimbalom) are dominated by richly textured percussion, which doesn't exactly make Répons unmelodic as beyond melody. Initially, the effects seem repetitive--alternating activity and stasis--but what later unfolds is a rich, gratifying, thematically unified exploration of sound with a meticulously planned exposition, development, and recapitulation. The companion piece, Dialogue de l'ombre double, is more modest and in some ways more charming, exploring spatial effects and pedal points between the live and computerized clarinet sound. Those interested in the future of music--both in terms of means and content--must hear this. --David Patrick Stearns