Bug Music: Music Of The Raymond Scott Quintette, John Kirby & His Orchestra, And The Duke Ellington Orchestra
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| 価格: | ¥ 1,978 1500円以上は送料無料 詳細 |
発送可能時期: 通常1~3週間以内に発送
販売、発送は Amazon.co.jp
曲目リスト
- Dicty Glide
- Frasquita Serenade
- St. Louis Blues
- Wondering Where
- Bounce of the Sugar Plum Fairy
- Charley's Prelude
- Royal Garden Blues
- Siberian Sleighride
- Penguin
- Quintet Plays Carmen
- Powerhouse
- Tobacco Auctioneer
- War Dance for Wooden Indians
- Cotton Club Stomp
- Blue Bubbles
- Snibor
商品の詳細
- Amazon.co.jp ランキング: #314617 / ミュージック
- 発売日: 1997-01-23
- ディスク枚数: 1
- 形式: Import, from US
- 寸法: .24 ポンド
- 実行時間: 51 分
エディターレビュー
Amazon.com essential recording
When Duke Ellington began to slip classical motifs and structures into his jazz compositions in the '30s, two fellow composers took his example as a challenge to do the same. Raymond Scott played movie music, led the house band on the popular radio show, "Your Hit Parade," and supplied much of the music for Carl Stalling's famous cartoon scores; John Kirby led a jazz combo that included Ben Webster, Russell Procope and Charlie Shavers. All three bandleaders are saluted on Bug Music. The music inside is playful and joyful, with Byron's clarinet skipping and jumping through the catchy melodies and quirky rhythms. In fact, what's most striking about the recording is not the mix of jazz and classical music, but the mix of jazz and humor, an all too rare combination these days. --Geoffrey Himes
From Amazon.co.uk
When Duke Ellington began to slip classical motifs and structures into his jazz compositions in the 1930s, two fellow composers took his example as a challenge to do the same. Raymond Scott played movie music, led the house band on the popular American radio show "Your Hit Parade", and supplied much of the music for Carl Stalling's famous cartoon scores. John Kirby led a jazz combo that included Ben Webster, Russell Procope and Charlie Shavers. All three bandleaders are saluted on Bug Music. The music inside is playful and joyful, with Byron's clarinet skipping and jumping through the catchy melodies and quirky rhythms. In fact, what's most striking about the recording is not the mix of jazz and classical music, but the mix of jazz and humour, an all too rare combination these days. --Geoffrey Himes

