曲目リスト
- Don Quixote, Op.35: Intro. Massiges Zeitmass
- Don Quixote, Op.35: Theme. Massig
- Don Quixote, Op.35: Var I. Gemachlich
- Don Quixote, Op.35: Var II. Kriegerisch
- Don Quixote, Op.35: Var III. Massiges Zeitmass
- Don Quixote, Op.35: Var IV. Kriegerisch
- Don Quixote, Op.35: Var V. Etwas Breiter
- Don Quixote, Op.35: Var VI. Schnell
- Don Quixote, Op.35: Var VII. Ein Wenig Ruhiger Als Vorher
- Don Quixote, Op.35: Var VIII. Gemachlich
- Don Quixote, Op.35: Var IX. Schnell Und Sturmisch
- Don Quixote, Op.35: Var X. Viel Breiter
- Don Quixote, Op.35: Finale. Sehr Ruhig
- Con No.1 in E-flat, Op.11: I. Allegro
- Con No.1 in E-flat, Op.11: II. Andante
- Con No.1 in E-flat, Op.11: III. Allegro
- Don Juan, Op.20
商品の詳細
- Amazon.co.jp ランキング: #846086 / ミュージック
- 発売日: 1997-10-14
- ディスク枚数: 1
- 形式: Import, from US
- 実行時間: 71 分
エディターレビュー
From Amazon.com
George Szell, although a friend and colleague of Strauss, was not an uncritical admirer of his music. Then again, Szell was probably not an uncritical admirer of anything. That's why he is arguably one of this century's two or three greatest conductors. Don Quixote is widely regarded as Strauss's finest tone poem. For this series of "fantastic variations of a theme of knightly character," the orchestra is typically large, with even a part for wind machine. Much of the writing, however, is very intimate. The Don himself is represented by a solo cello, Sancho by the viola and tenor tuba. This sort of "expanded chamber orchestra" writing is exactly the sort of thing that Szell and Cleveland did better than anyone. The results are, quite simply, unbeatable. --David Hurwitz